About Welcome To The Machine


Upon fathering triplets, filmmaker Avi Zev Weider explores the nature of technology, seeking what it means to be human.

After three years of trying to have a child, filmmaker Avi Zev Weider and his wife Alexandra tried IVF and immediately became pregnant – with triplets.

In grappling with this life-changing experience, it was evident that technology was having a real affect on Avi’s life; his babies were conceived via a technical process, born in a high-tech neo-natal intensive care unit and kept alive inside a series of machines. In short, Avi’s children came into this world and were made viable thanks to technology. But beyond that, the way in which Avi found himself relating to his newborn children – even this was colored by a relationship to technology. And so, much bigger questions, ones difficult to even formulate, loomed large as the triplets came home.

In seeking to clarify these questions, and deal with his new and difficult reality, the filmmaker engages futurists, scientists, scholars, anti-technology advocates and even Ted Kaczynski, aka the ‘Unabomber,’ to uncover a big-picture view of our ongoing relationship to technology. These interviews explore issues like:

What is the origin of technology?
Is technology ‘neutral’ or does is have an ‘intent?’
In a world of high technology, what is value of living things?

Intertwined with these interviews are two stories that explore how technology is literally changing our worldviews and physical reach. In one, the audience gets up close to US Army pilots training to remotely command unmanned aerial vehicles – ‘drones’ – by sitting for long stretches inside a machine. In the second story we meet Dean Lloyd, who at age 68, is one of only a handful of people implanted with the Argus II artificial retina. Blinded at age 24, Dean now has a microchip directly attached to his optic nerve and can once again ‘see’ the world with the help of a machine inside of him.

Continually circling back to his own story, the filmmaker leads the audience through what is, in essence, a ‘theological’ discussion of technology. In using his own life as a focal point, Avi Zev Weider weaves WELCOME TO THE MACHINE into an experience that begins as an abstract intellectual discussion about technology but ends up being a very human and emotional journey for himself as well as the audience.

Welcome To The Machine premiered at the 2012 SXSW Film Festival and had its international premiere at the 2012 Hot Docs Film Festival.



Director: Avi Zev Weider

Producer: Avi Zev Weider

Co-Producer: Kent Osborne

Co-Producer: Michael Sean Anderson & Scorpio Entertainment

Co-Producer: Martin Berger & Judith Berger

Associate Producer: Lisa Gray

Cinematographer: Derek Wiesehahn

Edited By: Ann Husaini & Avi Zev Weider

Written By: Avi Zev Weider & Ann Husaini

Music By: Michael Montes

Re-Recording + Sound Design: Tom Paul

Assistant Editor: Anne Garrett, Jonathan Johnson, Rosemary Siciliano

Additional Camera: Brandon Cruz

Guitarist: John Andrews

Assistant to the Composer: Mike Walz

Key Art Designer: Victoria Shobe

Special Thanks: Alexandra Berger